All Jan Brueghel Oil Paintings

1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.
 

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Jan Brueghel A Fantastic cave with Odysseus and Calypso oil on canvas


A Fantastic cave with Odysseus and Calypso
A Fantastic cave with Odysseus and Calypso
Painting ID::  84482
  . 1616(1616) Medium Oil on canvas cyf
  . 1616(1616) Medium Oil on canvas cyf

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Jan Brueghel Guards in a Forest Clearing oil on canvas


Guards in a Forest Clearing
Guards in a Forest Clearing
Painting ID::  87597
  Date 1607(1607) Medium Oil on oak Dimensions Height: 33 cm (13 in). Width: 42 cm (16.5 in). cjr
  Date 1607(1607) Medium Oil on oak Dimensions Height: 33 cm (13 in). Width: 42 cm (16.5 in). cjr

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Jan Brueghel The Rest on The Flight into Egypt oil on canvas


The Rest on The Flight into Egypt
The Rest on The Flight into Egypt
Painting ID::  89335
  1607(1607) Medium oil on wood cyf
  1607(1607) Medium oil on wood cyf

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Jan Brueghel Bouquet of Flowers oil on canvas


Bouquet of Flowers
Bouquet of Flowers
Painting ID::  91023
  second half of 16th century Medium oil on oak panel cyf
  second half of 16th century Medium oil on oak panel cyf

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Jan Brueghel Still-Life with Garland of Flowers and Golden Tazza oil on canvas


Still-Life with Garland of Flowers and Golden Tazza
Still-Life with Garland of Flowers and Golden Tazza
Painting ID::  91044
  1618(1618) Medium oil on panel Dimensions Height: 47.5 cm (18.7 in). Width: 52.5 cm (20.7 in). cyf
  1618(1618) Medium oil on panel Dimensions Height: 47.5 cm (18.7 in). Width: 52.5 cm (20.7 in). cyf

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     Jan Brueghel
     1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.

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